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David Miller interviews Pagan teacher and author Waverly Fitzgerald, who says that natural time in her book is a reference to a time that can be touched. Conversely, artificial time is characterised as a temporality that is abstracted into homogenous, identical parts. Fitzgerald notes that the rhythms of natural time intersect with Pagan spirituality.

[Miller] You make a distinction in your book between what you call “natural time” and “artificial time.” Isn’t time really an abstraction? So how can it be natural?

  • [Fitzgerald] That was my quest (in writing the book), to answer that question. What is natural about time? And the answer had to do with looking at different time intervals and noticing that some of them you can actually see, touch and smell. You can tell when it’s day and when it’s night. You can observe the moon in the sky and after a few days of observing it you can know whether it’s waxing or waning. You can know what season it is by walking outside. These are all, for me, examples of natural time. What I noticed about all of those cycles was that they were, in fact, cycles. They had, if you will, an “on” and “off” position, or a maximum and a minimum. And then they had a slow gradual progression to and from that state. That’s really different than when you look at a calendar, a schedule or a clock, where everything is completely regular and all times are presumed to be exactly the same. There are blank spaces on the calendar, and you can put the same amount of activity into each of them. There is this sort of unnatural — that’s why I call it artificial — aspect to them, which I think gets us in a lot of trouble because we think, “Oh, we can do this thing in this amount of time,” when really all of these other factors play into it that are not under our control.

You’re not suggesting we throw out our calendars and clocks, are you?

  • No. There are really good reasons why those tools were developed to synchronize activities. But I think as biological beings we also need to be aware of our natural rhythms, including the need for rest. I think many people believe that when you sit down at your desk you should be working flat out at the top of your productivity for the maximum amount of time. At least that’s the ideal. But there something called the ultradian rhythm, a biological cycle where there is an arousal period, a period of waking up and becoming alert, and then a period of getting restless or bored or unfocused and then a time of rest. If you start to observe that cycle in your life, it allows you to have a more relaxed and effective approach to your daily tasks…

How and why do religion or spirituality and slow time intersect, do you think?

  • Most of the major religions have a seasonal liturgy, even though it may be sort of buried. If you look at Christianity, with the Easter cycle and the Christmas birth, there is this lovely use of the seasons to tell a story, and the same is true in the Jewish religion. And, of course, the pagan religion really works with this notion of the seasons and the cycle. So there is a very deep connection between this notion of cyclical time and spirituality. And there is a message of hope that things will come around again, that we may feel despair but spring will come again. It is a pretty profound metaphor that is imbedded in our lives (Miller 2008).

Miller, David. 2008. “Pagan teacher and author of “Slow Time, Waverly Fitzgerald talks about rethinking her relationship to time.” SFGATE. January 28, 2008. https://www.sfgate .com/living/article/Pagan-teacher-and-author-of-Slow-Time-Waverly-2525444.php

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Paul Gitting reports on the lack of control that humans have over the natural temporality of grass growing rates. This is distinguished from the ways that different rates of growth can be experimented with technologically. This latter form of growth, identifiable in court management at a tennis tournament, is a socially framed phenomenon that is opposed from a natural timing of grass that cannot be rushed.

Wimbledon grass faces Olympic race against time and nature.

Andy Newell from the Sports Turf Research Institute (STRI) gives Wimbledon head groundsman Eddie Seaward and his staff expert scientific advice on that preparation and admits that any delay into a third week would be a serious problem.

“They don’t want to lose time because they are already on such a fine edge and even a day would mean you lose 5% of your preparation, and that could be crucial,” he told CNN…

“We worked on them just a couple of years ago to prove to LOCOG that we could do that within a short period of time, get the courts back in pristine condition,” Seaward told CNN.

But trial run or not, it’s still a daunting prospect with little room for error. The grass must be cut to an exact 8 millimeters for optimum performance, and Seaward and his team have to keep a wary eye on that unpredictable British weather — ground temperature and humidity levels are constantly measured.

For this reason, the expertise of scientists and agronomists is so important. STRI has been advising Wimbledon for over a decade. At its main testing center in a little corner of West Yorkshire, in northern England, its staff have recreated their own versions of Centre Court — trialing different varieties of grass to provide the best and most resilient surface.

“We can test the grasses that they may use in the future here, ” said Newell, STRI’s head of turf grass biology…

Newell believes that the soil texture underneath the grass is just as important in determining the playing characteristics, but knows that when hosting the biggest sports show on earth, aesthetics are important.

“The idea is that we get the court to look the way it’s going to look on the opening Monday of Wimbledon.”

But he warned: “It all comes back to nature, and nature can’t be rushed.”

Gitting, Paul. 2012. “Wimbledon grass faces Olympic race against time and nature.” CNN. July 5, 2012. https://edition.cnn.com/2012/07/05/sport/tennis/tennis-wimbledon-grass-olympics/index.html